“I commence by considering the underlying mathematics of a work, trying to plot a credible result, but all the time knowing that despite all attempts to the contrary, imperfections arise.  Achieving a ‘perfect’ order is an illusive goal, yet I am repeatedly drawn to a systemic attempt at exerting control over a piece.

This level of attention to detail, the layering, sanding and polishing of up to 100 layers of polymer and pigment satisfies a craving to lock away visual elements as historic references but always allowing a glimpse, a reveal of what was, deep within the work represented as blurred images with privileged access to our subconscious.

As far as the work is concerned I’m really into the physicality of creating a quality handmade product and despite all the taping, ruling, painting, sanding, scheming, contemplating and, naturally, perspiration my fastidious intentions are parried and then welcomed as a result.”